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Lina Bo Bardiā€™s "radical" glass easels revived for exhibition of Brazilian art

The SĆ£o Paulo Museum of Art is recreatingĀ a 1968 exhibition design byĀ Brazilian ModernistĀ Lina Bo Bardi, with updatedĀ versions of her glass and concrete easels.

SĆ£o Paulo basedĀ MetroĀ has recreatedĀ more than 100 of the easels ā€“ which featured a pane of glass supported by a concrete cube ā€“ by examining pieces that remained from the originals.

The SĆ£o Paulo Museum of Art (MASP) commissioned the updated easels to recreate an original exhibition design by the architectĀ for a new show ofĀ 117 artworksĀ from 400 BC to the 2000s.

Lina Bo Bardi's easels featured a pane of glass supported by a concrete cube. Metro is updating the design for the exhibition at MASP this year. Photograph by Javier AgustĆ­n Rojas

"The easels were withdrawn in 1996 but are now returning in the context of the recovery of the architect's designs for MASP," said the museum.

"Recent generations will thus be able to observe at first hand a radical exhibition design that has persisted in the imagination of the Brazilian and international public throughout the last 20Ā years, though known to the museumā€™s younger visitors only through photographs or documentation."

View of Art from France exhibition 2015 on MASPā€™s first floor. Photograph by Eduardo Ortega, courtesy of MASP collection

Bo BardiĀ ā€“Ā born in Italy in 1914 ā€“ moved to Brazil in 1946 with her husbandĀ Pietro Maria Bardi, who foundedĀ MASP withĀ Assis Chateaubriand the following year.Ā Bo Bardi designed the museum's building onĀ Avenida Paulista, as well asĀ a number of social housing and private projects.

Her work has only recently become more widely recognised, prompting the revival ofĀ product designs including aĀ door handle from her 1951 houseĀ and aĀ bowl-shaped chair from the same year.Ā Last year, photographerĀ Leonardo FinottiĀ documented eight of the architect's most important buildings to mark what would have been her 100th birthday.

View of MASPā€™s collection exhibition space 1970 with the original Lina Bo Bardi easels. Photograph by Paolo Gasparini, courtesy of Lina Bo andĀ Pietro Maria Bardi Institute

MASP's artistic director Adriano PedrosaĀ is aiming to recover and revive a number of Bo Bardi'sĀ original creations for the museum. Previous shows this year also resuscitatedĀ exhibition designs by the architect.

"All of these exhibition designs anticipated the qualities of transparency, lightness and suspension, without divisions into rooms or rigid timelinesĀ ā€“Ā the same approach that was later applied to the design of the easels," said the museum.

View of the collection of MASP 1970 with artwork displayed on Lina Bo Bardi's easels. Photograph by Luiz Hossaka, courtesy of MASP Collection

With the glass and concrete easels, the architectĀ intended to create a non-linear exhibition by suspending artworks throughout the space instead of mounting it on the walls.

"The architecture becomes wide, open, transparent, fluid, and permeable, with multiple possibilities for access and reading," said MASP.

Metro has recreatedĀ keys aspects of Bo Bardi'sĀ design, includingĀ usingĀ a wooden wedgeĀ with aĀ rubber skinĀ to fix the glass to itsĀ concrete base. Information about each artwork is displayed on the back of the glass pane.

Updates include standardising the allocation of holes drilled into the glass panesĀ ā€“Ā originally specific to the individual piece on displayĀ ā€“ which are used to attach the artworks usingĀ aĀ metal bar.

View of MASP in 1973 showing the Bo Bardi easels in use. Photograph by Luis Hossaka, courtesy of MASP Collection

Neoprene washers wereĀ addedĀ to stabilise the easels andĀ dampen vibrations thatĀ may cause damage to the art.

The exhibition opens on 11 December on the second floor of the museum.

Exploded diagram of easel construction ā€“ click for larger image
Section ā€“ click for larger image
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