Chairs adorned with "spiritual" crystals and lamps made with McDonald's packaging were among the collectible design objects displayed at Design Miami 2023, held during Miami art week.

Founded in 2005, the annual fair also held in Basel, Shanghai and Paris brings together global design studios to display collectible historic and contemporary furniture, lighting and other objects, along with additional programming.

Design Miami 2023 presented over 40 galleries, housed in booths and other installations throughout a tent located along Convention Centre Drive.

Presented with HAADA gallery, sculptural wooden chairs previously debuted in 2012 at the Padiglione d'Arte Contemporanea (PAC) in Milan by artist Marina Abramović marked the artist's "foray into the world of collectible design", according to the gallery.

The pieces included two small chairs with crystals affixed to their feet and others with tall wooden backs that extend over the user's head, from which larger crystals are suspended. The chairs are meant to create space for meditation.

"The idea that physical objects might be created only to serve spiritual purposes is a powerful provocation in today’s ravenous consumer society," said HAADA. "Abramović’s chair is the icon that galvanizes this discussion, and will prove itself as a future reliquary that crystallizes this contemporary debate on the twin crises of consumption and spirituality."

For digital marketplace Basic.Space tattoo artist Dr Woo partnered with Seoul-based studio Niceworkshop to create a cubic set of aluminium tables and chairs.

For the furniture collection, Dr Woo created a wood-grain pattern that was later engraved onto aluminium chairs and a table by a team of designers, exploring the dichotomy between the intimate experience of tattooing skin versus translating a pattern onto a metallic surface.

"Tattooing on skin is typically a moment of close connection between myself and my clients, yet working across time zones to have my work tattooed onto metal has been a gratifying process in an exciting way," said Woo. "Like a tattoo, quality furniture is meant to be cherished and held onto for a lifetime."

Presented by Los Angeles gallery Marta Gallery, Lagos-based designer Nifemi Marcus-Bell showcased a series of functional sculptures that pay homage to Nigeria's history of craft.

Marcus-Bell made the small collection of benches and sculptures from sand-cast aluminium, a material commonly used by Lagos auto parts manufacturers, whom he connected with while repairing his own vehicle.

Some booths showcased concept-heavy designs, such as Side Gallery, which presented work by Seoul-based designer Gyuhan Lee and British designer Mac Collins.

Collin's created a second iteration of his oak wood table, stools and dominoes set for this year's Design Miami, having previously shown the first collection as a "corrective act of representation" at Harewood House, an English country house with ties to the slave trade.

Lee's work continued his investigation of consumerism by repurposing McDonald's paper bags into a material which he used to construct a series of geometric lamps covered with the brand's logo. The designer also layered the traditional Korean paper "Hanji" into the lighting, creating a new material that breaks "away from the mass production of the usual object in which we can find the symbol".

Also among the designers who took a conceptual approach was New York and Paris-based designer Harry Nuriev, who presented Tapestry Sofa, a recliner covered in custom textile reminiscent of a worn-out French tapestry integrated with modern motifs.

Some of the booths included all-encompassing installations.

These included Kohler, which partnered with British designer Dr Samuel Ross and his industrial design studio SR_A to display a bright orange, twisted faucet in a large-scale exhibit. The faucet was integrated into oversized, blocky pedestals of the same colour, where the running water fell down channels and into their bases.

Villa Albertine and the Mobilier National presented a range of sculptures, lighting and textiles by Atelier George, Atelier d’Offard, Chloé Bensahel, Gala Espel and Dimitri Hlinka in a stark white set curated by Alban Roger.

Other works included "furry" 3D-printed light fixtures by designer Virginia San Fratello with New York-based Cristina Grajales Gallery that are intended to "inspire intense happiness", according to the designer, while The Future Perfect displayed a collection of sculptures amongst a towering nine-foot-tall USM modular shelving system.

Belgium gallery Atelier Ecru Gallery presented a series of brutalist furniture and organic sculptures by local designers, while New York-based gallery Superhouse presented a collection of textural tapestries, furniture and sculptures that highlight the fibre arts.

Inspired in Barcelona and Il·lacions presented A New Decorum, which showcased furniture in a variety of forms and materials against an ombré lamp by Antoni Arola, created to evoke the Barcelona sky.

London-based Gallery Fumi won best gallery presentation with its presentation of wooden scale-covered furniture by German designer Lukas Wegwerth, wall art made of nested plywood chips by British sculptor Rowan Mersh and colourful, patterned lighting by US-American designer Jeremy Anderson.

This year's Where We Stand theme, organized by curatorial director Anna Carnick, focused on "the importance of honouring and nurturing human connection".

Other recent design shows that include collectible design include Mueble Escultura in Argentina and INTRO/LA in Los Angeles.

Design Miami took place from 5-10 December 2023 in Miami Beach, US. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.