Last week, we announced plans for an online design week called Virtual Milan. Dezeen's founder and editor-in-chief Marcus Fairs explains why this was the wrong thing to do, and what we intend to do about it. More
The Countryside, The Future exhibition at the Guggenheim says more about the shortcomings of its curator Rem Koolhaas than it does about the countryside, argues architecture critic Inga Saffron. More
Jane Hall's Breaking Ground aims to rectify gender inequality by singling out female architects from their male counterparts. But, ahead of International Women's Day this year, Mimi Zeiger argues this corrective project could do more harm than good. More
The upset caused by the resignation of Cooper Hewitt director Caroline Baumann is the least of the design museum's problems, says Aaron Betsky. More
A draft order by Donald Trump to make all new federal buildings classical is the latest example of how traditional architecture is used to disguise racist agendas, says Phineas Harper. More
Following the news that Frank Lloyd Wright's School of Architecture at Taliesin will close this year, first-year student Alex Martinec reflects on how it marks not just the end of a physical institution, but the architect's way of thinking. More
The emotional and economic impacts of cities are closely connected, but this is lost in a proliferation of meaningless phrases like "healthy placemaking" and "human-centric design", says Reinier de Graaf. More
Interior design will evolve, innovate, adapt and improve in 2020, says Michelle Ogundehin. Her trend report includes provocative collaborations, Ukrainian design and a rejection of digital technology. More
As the 2020s begins, Aaron Betsky predicts that architects in the new decade will focus on reuse, flexible spaces and earthy materials. More
High-tech architecture aligned with the revival of Victorian values in the 1980s, but did not end up producing the factories of a new period of British creativity, says Owen Hatherley. More
Holly Brockwell is unimpressed by the sexist advertising for the gold folding phone launched by Pablo Escobar's brother, but is not surprised. More
Pantone played it safe and still missed the mark by picking Classic Blue as its colour of the year for 2020, says Michelle Ogundehin. More
Continuing our high-tech architecture series, Catherine Slessor looks at how the women in Team 4 helped shape the narrative of the movement. More
The leading parties' manifestos contain bold pledges that will change Britain's cities for generations, says Phineas Harper. He takes a look at the architecture and housing policies ahead of the UK's general election. More
Following protests about working conditions at well-known museums – like the Marciano Art Foundation and MoMA – Mimi Zeiger says it's time to address architecture's relationship to unfair labour practices. More
Tesla's electric Cybertruck is billed as a radical redefinition of the car, but in fact draws on old-fashioned ideas of escape, argues Elizabeth Bisley, co-curator of the V&A museum's new exhibition about car design. More
The current way architecture is critiqued and presented at biennials and exhibitions is ugly, but it doesn't need to be, argues Aaron Betsky. More
By voting for Brexit, the British people have shown a greater appetite for risk than the creative sector, which needs to take the public more seriously or risk becoming irrelevant, says Martyn Perks of the Dissenters Design Network. More
High-tech architecture has strayed far from its environmentally conscientious beginnings, but could rise again if it returns to them, writes Phineas Harper. More
Designers in India are rejecting the western canon and instead searching for home-grown approaches to their discipline. More