It's a shame that, although colour theory was taught at the Bauhaus, it wasn’t significantly applied to architecture, says Michelle Ogundehin in this Opinion as part of our Bauhaus 100 series. More
Natural disasters like the recent California wildfires are not going to go away, so the only option is to rebuild with temporality in mind, argues Aaron Betsky. More
Women are often edited out of the history of the Bauhaus, says Catherine Slessor, in this Opinion as part of our Bauhaus 100 series. But the role of female Bauhauslers in shaping the course of modern design is at last being addressed. More
Amazon HQ2 will only exacerbate New York City's already stretched infrastructure, cramped public spaces and sky-high rents, says Alan G Brake in this Opinion column. More
The Bauhaus fundamentally changed the philosophy and methodology of design education in the United States, says Margret Kentgens-Craig, author of The Bauhaus and America, in this Opinion as part of our Bauhaus 100 series. More
Why can't all public libraries be as warm and welcoming as Snøhetta and Dialog's New Central Library for Calgary, asks Aaron Betsky in this Opinion column. More
The historicism of the UK's Building Better, Building Beautiful Commission is no laughing matter, says Sam Jacob. More
Brian Eno's approach to producing music, through simple, open systems, should be adopted for the design of our towns and cities, says Finn Williams. More
Sheffield is one of the UK's most important cities for modern architecture, says Owen Hatherley, and we need to take action to stop it being destroyed. More
After architectural visualisers received a bad rap from Aaron Betsky and Es Devlin, Troy Hodgson defends his profession and explains why renderings don't always exactly match the finished buildings they portray. More
Buildings like Amin Taha's 15 Clerkenwell Close may not be to everyone's taste, but they deserve to be judged on more than just aesthetics, says deputy editor Tom Ravenscroft. More
Improving the diversity of your architecture firm will help you win more projects, says Gabrielle Bullock. More
We are entering a new geological era: the anthropocene, in which human activity is a dominant influence on earth's geology and environment. At Dutch Design Week, a special edition of our Good Design for a Bad World series will ask if design can harness this phenomenon to prevent global catastrophe, writes Marcus Fairs. More
An architect's tool of choice for visualising designs is not important, says Aaron Betsky, as long as the effects of time and use on the finished creations are considered during the process. More
Awarding the Stirling Prize to Foster + Partners for its Bloomberg building sends the wrong message and risks runaway global warming. We need a new approach to sustainability says Phineas Harper. More
The United Nations says we have 12 years to take action against climate change, to avoid global disaster. It's the greatest design challenge in history, says Nicolas Roope. More
Now that millennial families are the fastest growing demographic in travel, airport design needs a radical shake-up, says Christine Murray. More
Assemble's approach to transforming a public bathhouse into an art centre is refreshing, says Owen Hatherley, but the results feels a little too much like a celebration of poverty. More
Following the death of Robert Venturi, Charles Holland reflects on the American architect's career of revered research, trailblazing projects and witty demeanour. More
Sean Griffiths pays tribute to postmodernism pioneer Robert Venturi, who died earlier this week, describing the huge influence he had on the way we view architecture and sharing personal stories about their meetings. More