Opinion: the Brutalist architecture of 1960s British university campuses may not have been popular among students at the time, but recent styles of education architecture suggest a far more cynical approach, says Owen Hatherley. More
Opinion: why have architects and designers been so quiet about America's recent clashes over race and police violence? asks Mimi Zeiger. More
Opinion: the legacy of the Modernist movement is a "God complex" among contemporary architects that is turning architecture into its own worst enemy, says OMA partner Reinier de Graaf in his first column for Dezeen. More
Opinion: mobile products have a short lifespan, but Apple has invested heavily in turning them into desirable design objects. For some "luxury" customers that just isn't enough, finds Alex Wiltshire. More
Opinion: when the team behind the Rosetta space mission landed Philae on a moving comet last week, they celebrated in a grey control room – the kind of uniquely bland space that has been the backdrop to some of the 21st century's most iconic moments, says Will Wiles. More
Opinion: an unloved relic of 1950s socialist Yugoslavia is one of the finest buildings of its era. But in modern Serbia, its overtly political message doesn't chime well with the prevailing ideology, says Owen Hatherley. More
Opinion: sometimes it becomes important to save a building that doesn't seem to work. Such is the case for Michael Graves' Postmodernist exemplar, the Portland Building, says Alexandra Lange. More
Opinion: from Chicago's rat problem to transport startups like Bridj and Uber, data is being used to predict behaviour and manage our cities. But the idea of the "Predictive City" should be treated with a healthy dose of scepticism, argues Dan Hill. More
Opinion: the refurbishment of London's Imperial War Museum by Norman Foster is a "botched" job, but it's hardly surprising given the UK's strange attitude to its own history, says Owen Hatherley. More
Opinion: designers today are being swamped with visual information that has been stripped of its historical context. Making personal connections across generations can help fill the gaps, says Mimi Zeiger. More
Opinion: with the petrol heads stuck firmly in rut, there's an opportunity for designers to do something different with the new wave of electric cars. Elon Musk's Tesla is among those leading the way, says Lucas Verweij. More
Opinion: driven by economics and overly concerned with "iconic" design and star names, international design fairs have lost their way. But BIO 50, the design biennial in Ljublana, offers a refreshing alternative, says Louise Schouwenberg. More
Opinion: with the opening of the latest attention-grabbing attraction at a skyscraper in Melbourne, Will Wiles asks if the advent of Google Maps has created a public too jaded to simply appreciate a spectacular view. More
Opinion: the way we consume architecture online has changed thanks to social media, creating a new genre of imagery – meme-tecture. Alexandra Lange offers her guide to making an architectural meme. More
Opinion: Apple's latest launches show it has become reactive rather than innovative, but after leading the market for 30 years it could still have an important role to play, says Karim Rashid. More
Brutalism: challenging, idealistic and serious – Brutalism is architecture for grown ups, says Jonathan Meades. More
Opinion: Scotland once boasted its own distinct regional building styles, but since devolution began in the 1990s Scottish architecture has fallen foul of the profit-chasing short-termism that has blighted the rest of the UK, says Owen Hatherley. More
Opinion: increasingly popular lists that judge cities on "liveability" and "quality of life" are dangerous for the future development of our metropoles, says Sam Jacob. More
Opinion: is the Internet of Broken Things the logical conclusion to the ever-escalating cycle of technological development and built-in obsolesce in our gadgets, asks Justin McGuirk. More
Opinion: sober, well-mannered and increasingly well made – London's new housing developments are hiding their yuppie-dom behind a polite facade of brickwork that wouldn't look out of place in the 1960s, says Owen Hatherley. More