With widespread protest taking place across Belarus, the design of public spaces and social legacies has become a critical project for the nation's architects, says Owen Hatherley in his latest Opinion column. More
With her latest exhibition, British artist Laura Oldfield Ford is more likely to change your understanding of London's working-class landscape than any architect or designer, says Owen Hatherley in this Opinion column. More
By juxtaposing selfies taken by visitors to Peter Eisenman's Holocaust memorial with archive photos from concentration camps, artist Shahak Shapira has revealed why design that shames is important, says Owen Hatherley in his latest Opinion column. More
The sleepy town of Letchworth, England, may have been the first garden city, but it wasn't particularly radical, says Owen Hatherley in his latest Opinion column. More
The problem with Britain's railway stations isn't anything to do with style, it's that they are all just malls waiting to happen, argues Owen Hatherley in his latest Opinion column. More
Chile and Cuba's contributions to the London Design Biennale suggest that, while the Global South is expected to copy the design of the north, it could offer a more radical future, argues Owen Hatherley in his latest Opinion column. More
The radical buildings in the English county of Essex suggest that avant-garde architecture is better found in the suburbs than the cities, says Owen Hatherley in his latest Opinion column. More
Opinion: with the exemplary restoration of Alvar Aalto's seminal Viipuri/Vyborg Library, Finland has schooled Russia in how to treat its neglected 20th-century buildings. Now they need to restore the rest of the city, says Owen Hatherley. More
Opinion: a temporary installation around a plinth that once hosted an infamous statue of Lenin in Ukraine accidentally highlights a deeper problem facing the city than what to do with the relics of Soviet rule, finds Owen Hatherley. More
Opinion: Richard Rogers' vision for a more European form of British architecture promised to create modern and prosperous urban environments. But this "new Europe" failed to reach the suburban council estates and cul-de-sacs that backed Brexit, says Owen Hatherley. More
Opinion: David King, who died in May at the age of 73, secured a place in British design history with album covers for The Who and Jimi Hendrix, the design of the Sunday Times Magazine, and his logo for the Anti-Nazi League. But his legacy is far richer for anyone interested in the political power of the media, says Owen Hatherley. More
Opinion: moving the UK's Houses of Parliament to Bristol is not that strange an idea, says Owen Hatherley, but why not go one step further and create a new capital city in Milton Keynes or the Pennines? More
Opinion: Walter Segal's self-build houses in south London and Assemble's Turner Award-winning Granby Four Streets project in Liverpool are rightly celebrated, but they're not the answer to the housing crisis, says Owen Hatherley. More
Opinion: municipal architects helped create some of 20th-century Europe's best cityscapes and buildings, says Owen Hatherley. It's time for them to return. More
Opinion: former Georgian president Mikheil Saakashvili may be wanted on multiple criminal charges in his home country, but his architectural legacy has helped him win political favour in Ukraine, says Owen Hatherley. More
Opinion: when the Tour Montparnasse was built in Paris, its residents were so appalled they banned all high-rises. Londoners should do something similar in the wake of Rafael Viñoly's walkie talkie, says Owen Hatherley. More
Pomo summer: Postmodernism is still shaping contemporary architecture, says Owen Hatherley, but its impact on social housing is an unforgivable legacy. More
Opinion: twisting slides, a hotel room shaped like a boat and a pop-up theatre are among the "fun" recent additions to London's Brutalist Southbank Centre. Has Owen Hatherley lost his sense of humour or is there something more sinister in all these layers of entertainment? More
Opinion: Stalinist Russia turned its military parades into architecture, creating a peculiar form of pomp that still resonates in modern Moscow and emphasises the city's inequalities, finds Owen Hatherley. More
Opinion: you don't have to like Thom Mayne's skyscraper for Vals to understand that architecture needs fantastical projects like it, says Owen Hatherley. More