Venice Architecture Biennale 2016: scale reproductions of Nefertiti's bust and a shelter used by refugees in Calais' Jungle are among the myriad replicas of cultural artefacts included in a V&A-curated show about the value of copying (+ slideshow). More
Architect Sam Jacob has unveiled plans to convert a former east-London pub into a home for himself and a nursery, including curving facades and assorted window shapes. More
Opinion: by walking out of Berlin's Neues Museum with an illicit 3D scan of the bust of Queen Nefertiti, a pair of artists has forced us to question whether conservation is an act of care or a radical form of repression, says Sam Jacob. More
Opinion: toy makers have designed a disturbingly codified world for children that says more about adult self-loathing than how kids really want to play, says Sam Jacob. More
Opinion: London auction house Christie's is auctioning off trinkets and clothing from the estate of Margaret Thatcher, one of the UK's most controversial prime ministers. Sam Jacob takes a closer look at some of the items on offer. More
Opinion: the Chicago Architecture Biennial stands out from an avalanche of pointless events by doing things its own way, says Sam Jacob. But can it be sustained? More
Opinion: as London's Barbican gallery launches a major retrospective on Modernist designers Charles and Ray Eames, Sam Jacob wonders whether it matters that the Eames name has taken on a life of its own. More
London Design Festival 2015: the studio run by Dezeen columnist Sam Jacob has designed an urn for Lenin, based on a finial found outside the London house the Russian revolutionary lived in for a short period in 1908. More
Opinion: by destroying ancient architecture, ISIS is waging an ideological war on cultural history – it is our responsibility to respond with yet more culture, says Sam Jacob. More
Pomo summer: could there be anything more ridiculous than the idea of a Postmodern revival? It depends what you mean by Postmodernism, says Sam Jacob, in his column for Dezeen's summer season on the controversial movement. More
Opinion: the world of kink and fetish is built around ideas of power, control and gender – not that different to our relationships with everyday objects, says Sam Jacob. More
Opinion: the now-defunct architecture firm FAT proposed a green bridge for London's River Thames in the 1990s as a form of social criticism. Now life is imitating art with Thomas Heatherwick's Garden Bridge, FAT co-founder Sam Jacob feels an apology is necessary. More
Opinion: increasingly popular lists that judge cities on "liveability" and "quality of life" are dangerous for the future development of our metropoles, says Sam Jacob. More
Opinion: Dubrovnik, with its Game of Thrones-buoyed tourism industry, is a historical drag act that exposes conflicting tensions between history, reconstruction and modernity, says Sam Jacob. More
Venice Architecture Biennale 2014: British pavilion curator and Dezeen columnist Sam Jacob says his exhibition aims to revive the "imaginative visions and entrepreneurial spirit" of postwar public housing projects in Britain (+ movie). More
Venice Architecture Biennale 2014: the British pavilion at the biennale charts the nation's Modernism using a fluorescent pink mound of earth, a galloping horse made from LEDs, imagery of social housing and a pair of concrete model cows (+ slideshow). More
Opinion: show flats for residential developments don't just tell us about a developer's dream demographic – they have the potential to turn a sales fantasy into part of the city's built fabric, says Sam Jacob. More
Opinion: a campaign to protect London's skyline and the UK government's first review into the state of architecture both point to the same thing: Britain's approach to building is broken, says Sam Jacob. More
Opinion: in this latest column Sam Jacob asks whether air fresheners boasting scents from the UK's National Parks are "surreal and distasteful" or a logical extension of the countryside as a product of modern urban life. More
Opinion: fiction is essential reading for architects because it explores ideas about homes and buildings that are "normally repressed," argues Sam Jacob in this latest column. More